Favorite Albums of the 2000’s: 80 – 71

Sorry for the long delay in posting this. Life and laziness can slow down a guy.

Albums 100 – 91

Albums 90 – 81

80.  M.I.A. – Kala (2007)

M.I.A. actually has a whole lot in common with most rappers. She talks about how awesome she is (“Nobody on the corner got swagger like us”) whenever she isn’t espousing on the ills of her misbegotten home. In this case home is the World and it’s going to shit, slowly and surely. Obviously, dance party. M.I.A. front loads the bangers (“Boys”, “Bird Flu”) and leaves the spacey brilliance for the second half. “Paper Planes” you know, I know, everybody knows. But the best track is “$20”. The Pixies reference is great but that beat is goddamn goddamn.

79.  Girl Talk – Night Ripper (2006)

The first listen is mainly gasps and giggles. Subsequent listens range from “how’d he do it?” to “He fucking did it, son.” It’s almost best not to think about it too clinically. The man was/is able to take all your favorite songs, least favorite songs, and songs you just generally recognize and swirl them together into a mindmelting, smile inducing mix of sound. Everyone has a favorite moment; mine is the “Tiny Dancer”/”Juicy” mash. Or is it the Ying Yang Twins/”Regulate” mash? It’s like Sophie’s Choice only awesome.

78.  Les Savy Fav – Inches (2004)

Do Les Savy Fav even make sense on record? The difference between the recorded work of the Fav and their live performances cannot be further apart. Imagine a group of a practiced gentlemen led by a nude maniac. That is Les Savy Fav live. Inches justifies the existence of Les Savy Fav by running front to back great songs. They might be about something, they might not. Even without Tim Harrington entering your home dressed as Sherlock Holmes in a diaper, these are all great songs.

77.  Clipse – Hell Hath No Fury (2006)

Y’know, the beats on Hell Hath No Fury bang. They’re wicked and awkward and strange yet they still bang and stomp while the Clipse spit gold all over them. Listen to “Momma I’m So Sorry“. It’s like the descent into The Rectum in Irreversible with Miami Vice references. “Wamp Wamp (What It Do)” combines a swaggering monster beat with Clipse’s most braggidocious lines to become one of rap’s greatest songs while “Mr. Me Too” has one of Pharrell’s best bad/great raps- “Just last week I was out in Aspen/Me and Puff hopping off the plane/Both us laughin”. The sheer gall of two multi-millionaires laughing at their private joke while walking off a private plane (in Aspen!) is hip hop audaciousness at its best.

76.  Simian Mobile Disco – Attack Decay Sustain Release (2007)

Hustler” is “Hustler”. Sexy and sublime, it is one of the best songs ever. This is just a fact and I am merely restating it. Attack Decay Sustain Release has other songs on it that are not “Hustler” and they are just as good. Great, even. But at the end of the day everyone will only remember “Hustler”. Which is fine, but the other songs, really good.

75.  Fountains of Wayne – Welcome Interstate Managers (2003)

Your mileage regarding Fountains of Wayne will vary depending on whether you think they’re clever or stupid. It is a fine line. Welcome Interstate Managers sounds sincere and these guys can write some hooks. I think calling out FOW for not actually being middle class salesmen and for writing a concept record about living middle class is like calling out Led Zeppelin for not actually being from Middle Earth. You can’t have it both ways. Well, sure you can. Songs like “Hackensack” and “Valley Winter Song” are achingly sincere and devoid of irony and cynicism. I had to have one record on here like that.

74.  A.C. Newman – The Slow Wonder (2004)

A.C. Newman writes most of the music for The New Pornographers, who are great. Is it any surprise that his first solo album would also be great? Of course not, no surprise at all. Perfect indie pop songs, every single one of ’em. I’m sure that whoever Newman is shaming on “The Town Halo” probably agrees with the harsh take-down but is thrilled to have inspired such a great song.

73.  Basement Jaxx – Kish Kash (2003)

Kish Kash is Basement Jaxx’s creative peak. “Good Luck” is hall of fame, best of all time, MVP shit. “Plug It In” makes the idea of a J.C. Chavesz solo career seem plausible and “Lucky Star” is still the craziest track to ever feature Dizzee Rascal. The second half, yes, is more subdued and relaxed than the first half. It’s called having range.

72.  Arcade Fire – Funeral (2004)

Arcade Fire have been grouped in with the other Canadian collectives like Broken Social Scene and Stars. The notable difference is that Arcade Fire songs all don’t sound the same. Funeral is aching yet wistful, an album about overcoming grief and moving on and up. It is never anything less than transcendent. That they acquired such a devoted following from the result of this album is not surprising but inevitable.

71.  The Shins – Chutes Too Narrow (2003)

Chutes Too Narrow is the high benchmark for sensitive indie albums. Every other album in this category will forever be dismissed as “Not Chutes“. Sorry. The Shins drop ten perfect songs here and make that shit sound effortless. When this album came out I bought it at F.Y.E. for $18 dollars and thought I had overpaid. Hardly. It is priceless. On the album after this one you can hear The Shins practically give up as they realize they cannot equal Chutes. After listening to this album you also realize that Conor Oberst is trying Waaaay too hard.

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One Response to “Favorite Albums of the 2000’s: 80 – 71”

  1. mostlysoberwords Says:

    Great list so far! Huge yes to Girl Talk’s “Night Ripper” and Hustler… I mean Simian Mobile Disco’s “Attack Decay Sustain Release”.

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