Favorite Albums of the 2000′s: 20 – 11

Albums 100 – 91

Albums 90 – 81

Albums 80 – 71

Albums 70 – 61

Albums 60 – 51

Albums 50 – 41

Albums 40 – 31

Albums 30 – 21

20. The Strokes – Room On Fire (2003)

This is how you make a second album. A whole lot like the first one, but faster. I’ve met people who love Is This It but hate Room On Fire. Those people are ridiculous. Every band should follow The Strokes’ lead. “Reptilia” and “Under Control” are insta-classics. We should be so lucky to live in a world where The Strokes nailed it on their second record. The third one still sucks.

19. Bloc Party – Silent Alarm (2005)

Kele Okereke is a great singer with a penchant for heartfelt delivery and writing angular guitar lines. I don’t think he likes doing the latter so much anymore but on Silent Alarm he made a strong case for being the king of that shit. Backed by the amazing Matt Tong on drums, Silent Alarm is straight dance rock murder.

18. Fall Out Boy – Folie à Deux (2008)

If you’ve ever watched the Pantera episode of Behind The Music(the best episode of Behind The Music) you might recall the part where Phil Anselmo expresses regret for his estrangement from Vinnie Paul and says, (paraphrasing) “I need Vinnie Paul in my life, and Vinnie Paul needs me in his.” This same bit of narcissistic attachment can be applied to the relationship between Patrick Stump and Pete Wentz. These guys need each other. Bad. Fall Out Boy only succeeded because of that strange alchemy of Stumps vocals and songwriting mixed with Wentz’s twisting, punny lyrics of self-deprecation/revenge fantasies. Folie a Deux is a triumph, and of course the only way to follow up this victory is to implode. I pour a drink.

17. Sleater-Kinney – The Woods (2005)

What is it like to write a classic? Better yet, when does one realize they’ve written a classic? Do the band members nod and smile during playback of the demos or is it earlier? Maybe during the recording faze, when a member lays down a particularly ripping guitar lead. I’m curious if any of the member’s of Sleater-Kinney could answer this question for me, since THE WOODS is classic from front to back. “The Fox” starts out by burning your face off and the rest of the album turns you into kindling.

16. Interpol – Antics (2004)

Antics rules. I like to equate it to Carlos D actually pulling a gun out of that holster and shooting someone. “Not Even Jail” is a monster, a bulldozer. I didn’t think these guys had it in them. Front to back sleek menace on top of riffs and the usual Paul Banks “that could be construed as either good or bad lyrics” lyrics.

15. Friendly Fires – Friendly Fires (2008)

One of the greatest debut records of all time. Oh, that was fun to write. Friendly Fires arrived fully formed, strutting and confident with songs, son. I could list a couple here but then I would have to list them all. I will mention that about half these songs are about heartbreak and regret yet they sound like the fun distilled into music. “Lovesick” is the most enjoyment you’ll ever have dancing to a song about leaving some coldhearted shrew.

14. Spoon – Ga Ga Ga Ga Ga (2007)

Spoon are always tough to describe. They make stripped down indie rock(by definition) what never sounds generic or obvious. Certainly those words can’t be used to describe “The Ghost of You Lingers”. Or “Black Like Me”. Whenever I hear of a band sounding “Spoon-like” I know they’ll have some angular guitars but none of Britt Daniel’s screechy passion and honesty.

13. Jay-Z – The Blueprint (2001)

Jay-Z is just great you guys. On The Blueprint Hov lets you know why he is great. He’s great because he dealt drugs so you don’t have to. He’s great because he’s not looking at you dudes he’s looking past you. He’s great because you don’t know. Now get your damn hands up.

12. Local H – Here Comes The Zoo (2002)

One of the greatest rock records of all time.  Seriously, one of the greatest rock records of all time. “5th Avenue Crazy” is about getting beat up by some crazed drug addled chick who just wants your money for cocaine. “Rock and Roll Professionals” is a bitter attack on more popular rock bands that “sell out” but it doesn’t matter because it rocks faces. “Half Life” has the line, “You’re born with nothing better make it enough/Half life a kick in the teeth/the alcohol will be your only relief”. One of the greatest rock records of all time.

11. Spoon – Kill The Moonlight (2002)

Britt Daniel can do soulful. He can do screechy. He can make his guitar feedback, or he can strum it with care and concern. Britt Daniel can do anything.

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