It has taken me a moment to write down the thoughts, emotions, the sense of truth and purpose that comes from The Raid 2. Since it’s release on March 28th I have felt great elation as words of joy and excitement filled my social media timelines, text messages, and phone calls. The Raid 2 is love.
The Raid 2 fucked the game up for everybody. I don’t just mean in the way that Gareth Evans made a sprawling 2 hour plus crime/action movie hybrid for four million dollars that looks and sounds better than every big budget action blockbuster this year. The moment that fucked the game up, that fucked my mind up, is when Kenichi Endo’s character Goto says, “Anything is possible.” Sure, he is referring to criminal machinations being unfurled around him, but Evans holds the shot on Endo and lets the line linger in the air. This is a mission statement, a call to arms. The Raid 2 is proof that you can do anything. Every action sequence has a breathless chant of “This is happening this is happening this is really happening” running underneath it. Long take battles in a nightclub that spill out into snow covered alleys. The camera floating above the jail yard as prisoners fight to the death covered in mud. A woman who kills a whole subway car full of thugs with two claw hammers. The camera traveling effortlessly through a vehicle during a car chase. But on top of what “Anything is possible” means to The Raid 2 I keep thinking what it means to me as a human being, a person trying to exist as a creative person. I perform improv, which has it’s champions and critics, much like any other art form, and “Anything is possible” is true for any improvised scene. There are no limits, no settings, no rules. You decide your destiny. When Goto said it, I felt a kinship and a bond with the film and with true creative people everywhere. We can do whatever we want!
Going back to The Raid 2 as a film, all of it would be for naught if I didn’t care about the characters. And I do! Obviously Rama is the guy I care about over everything, he’s just a good guy in a bad situation who happens to be just better at fighting than anyone on planet Earth. Still, there’s only one of him and a shit-ton of bad guys. I care about Bangun, the world’s most sensible crime lord. He knows when to kill a guy and when to take the high road and not leave a mountain of bodies. It still doesn’t work out great for him but his sensibility rang true. A character like Uco is inherently unsympathetic but Arifin Putra’s performance is such that his sadness and ultimate betrayal are given time to well and grow so that when he decides to gun down his father, the scene has weight and it means something. Even when the characters are only small sketches, like Hammer Girl and the Bat Guy and the guy who just looks tough and leaves your body in a field, their characters are illustrated with small wordless details that say more than a ream of exposition. On a very base level, my feelings on The Raid 2 are purely “Holy fucking hell that guy just had his face blown OFF!” But I also cherish moments when Bangun realizes his son’s treachery or when Uco faces himself in the mirror after murdering his father. That show of emotion and betrayal wouldn’t mean shit if Evans hadn’t laid the groundwork. Also the car chase. And the kitchen fight. And the porn den battle. And on and on. The Raid 2 is everything.