Posts Tagged ‘Bloc Party’

Music Journal, June 6th 2016

June 5, 2016

IMG_6952

Islah by Kevin Gates

The great contradictions of a person make them interesting, like when Vin Diesel goes to give a woman a kiss. Kevin Gates is the greatest embodiment of contrast, with moments of real empathy and openness right alongside tracks where he goes on and on defending his decision to assault a fan at a show. The music is good to great across the board, lush and full without being overproduced, the beats aren’t particularly showy but never generic. Islah has Gates offering footrubs while his lady talks about her day, juggles his two phones(business and pleasure) and he loves to fuck. He can also rap, sing the hook, and eschews guests. Kevin Gates is too real.

Ξ by The Toxic Avenger 

The overhanging menace is a bit much. No attempts to dance. I think there is a GG Allin sound bite. A good reminder that blog house is dead too. Closing track “Together” aspires to some kind of lights in the sky, hands up in the air losing it moment but that dark menace, for whatever purpose it is supposed to lend, just sucks the air out of the room. This is so tasteful it might as well be hors d’oeuvres tray.

The Things We Do To Find People Who Feel Like Us by Beach Slang

The lead singer has that nice grit in his voice that makes guys like Ryan Adams and Walter Schreifels so appealing. The majority of these tracks rip it up, and “Dirty Lights” might be the rippiest of them all. My favorite part is this line in “Ride the Wild Haze”:

Get really high
Stay up for days
I come back down and somehow things are all the same

That’s fucking life, man.

The Life of Pablo by Kanye West

7 for 7, or 8 for 8 if you count Watch The Throne. For all the mess of the release and the fact that you still can’t buy it unless you have a Tidal account, TLOP is a winner. I’ve been listening to it incessently and it’s one of my favorite things he’s ever done, just like Yeezus before it. Kanye doesn’t seem interested in being a rapper anymore, and his twitter bears this out, but his curating and production abilities are still without peer. Is this a mess? I feel like Late Registration was a messier album, plus it had those terrible skits. TLOP doesn’t have any skits, it does have more prayers but it also has the drops and misogyny and that certainly gives you whiplash but that’s every Kanye album.

Post Pop Depression by Iggy Pop 

Iggy has made hints that this is a retirement record and it sounds like it. More subdued than one would expect considering the Josh Homme assembled band, Iggy Pop gets some jabs and wails in but he mostly sounds like someone who is tying up loose ends. A nice record to go out on, just don’t expect him to tear the world down around him while he exits.

Don’t You by Wet

This album is boring and sucks.

Majid Jordan by Majid Jordan

This is nice and pleasant and then you’ve fallen asleep on the couch.

Hotel Paranoia by Jazz Cartier

Fake Drake songs bump into fake Meek Mill songs into fake everybody else. Guy has no personality of his own. He is sure of himself though, so shouts to his self esteem.

I Don’t Think It Is by Say Anything

This is the worst album Say Anything have ever made. The production is either purposely bad or they literally had no budget. I kinda think it’s the latter. Max Bemis does more of the same from the last couple Say Anything albums, but with weaker hooks and a thin sound. I would say it’s a cry for help but every Say Anything album is a cry for help. This one just sounds more desperate.

Khalifa by Wiz Khalifa 

Wiz Khalifa is the owner of the most bored tone in rap, maybe tied with Big Sean. He just never sounds that interested in anything he is saying. The production on this one is not bad, always good to see Lex Luger getting a check. Strictly for the die hard Wizheads, or whatever they’re called.

10 Ways to Steal Home Plate by Wolfgang Gartner

We’re ten years removed from the Summer of 06, the beginning of the blog house era, an incredible time to be alive and have an internet connection. We’re now in a sort of post EDM era, so guys like Gartner, who as recently as 2011 were dropping mega opus albums with 8 minute tracks, are turning around and making 3 minute pop tracks featuring rappers. Not complaining, you have to work hard to put food on your family. 10 Ways gets the job done.

Views by Drake

I guess I’m back off the Drake train again. After the back to back delivery of Nothing Was The Same and it’s run of all timers (“Worst Behavior”, “Hold On We’re Going Home”) with 2015’s If You’re Reading This Its Too Late I figured Views would be a slam dunk. But instead Drake has delivered his first dirge record. Rapping at a minimum, singing and whining cranked up to 11, all over 40’s “The fridge is running” production soundscapes. No one needs these cold bummer tracks for such a hot summer.

Anti by Rihanna

It is easy to declare “Best Rihanna Album” on first listen. It seems so cohesive! I went back and listened to Rated R, Loud, Unapologetic and Talk That Talk just to be sure and those albums basically have the same success/failure rate as Anti, though Anti has less obvious A&R trend chasing.  Without any bangers, much of Anti’s runtime is given over to moody midtempo slither. “Needed Me” and “Kiss It Better” have a simple majesty and as a singer Rihanna has never sounded better and maybe one day she’ll make a true front to back burner. “Work” still sounds like RiRi’s “The Lady I Know” and that Tame Impala song is now a Rihanna song, sorry, no take backs.

Hymns by Bloc Party

A couple years ago I went to my cousin’s high school graduation party and I happened to mention an upcoming Bloc Party concert. “No one cares about Bloc Party anymore”, my cousin informed me. Hymns will not change that view. The title is taken in a literal sense, with endless soft paeans to a higher power that have no interest in strong hooks or melodies. Now running without Matt Tong’s iconic drumming or Gordon Moakes bass work, Bloc Party has taken on the guise of one of front man Kele Okereke’s tedious solo records. This guys used to be the jam. A real bummer.

Transmission by Death in Vegas

Richard Fearless is now partnering with Sasha Grey on his ventures as Death in Vegas, and while it’s a better album than 2011’s endless drone Trans-Love Energies it doesn’t play as much more than extended interludes. Grey doesn’t add much to the mix besides some monotone vocals, and besides functioning as a kind of white noise, I’m not sure what anyone is supposed to do with this music. It never elevates to the point of interesting art and instead functions as elaborate “on hold” muzak.

Coloring Book by Chance The Rapper

I still can’t take Chance’s voice for too long. Too thin, always sounds like he’s on the verge of a gasp or a crack. And if he tries to sing, it’s even worse. Sorry Chance, you’re no Kevin Gates. Still, Coloring Book has his best songs so far. “No Problem” has an incredible hook and some pretty good verses from 2 Chainz and Lil Wayne and “All Night” is the kind of party banger that you have to put on repeat because 2 minutes and 21 seconds isn’t long enough. Chance says his favorite Kanye album is The College Dropout and Coloring Book is slathered in it’s influence. Not a bad place to start.

 

 

 

Favorite Albums of the 2000′s: 20 – 11

October 9, 2010

Albums 100 – 91

Albums 90 – 81

Albums 80 – 71

Albums 70 – 61

Albums 60 – 51

Albums 50 – 41

Albums 40 – 31

Albums 30 – 21

20. The Strokes – Room On Fire (2003)

This is how you make a second album. A whole lot like the first one, but faster. I’ve met people who love Is This It but hate Room On Fire. Those people are ridiculous. Every band should follow The Strokes’ lead. “Reptilia” and “Under Control” are insta-classics. We should be so lucky to live in a world where The Strokes nailed it on their second record. The third one still sucks.

19. Bloc Party – Silent Alarm (2005)

Kele Okereke is a great singer with a penchant for heartfelt delivery and writing angular guitar lines. I don’t think he likes doing the latter so much anymore but on Silent Alarm he made a strong case for being the king of that shit. Backed by the amazing Matt Tong on drums, Silent Alarm is straight dance rock murder.

18. Fall Out Boy – Folie à Deux (2008)

If you’ve ever watched the Pantera episode of Behind The Music(the best episode of Behind The Music) you might recall the part where Phil Anselmo expresses regret for his estrangement from Vinnie Paul and says, (paraphrasing) “I need Vinnie Paul in my life, and Vinnie Paul needs me in his.” This same bit of narcissistic attachment can be applied to the relationship between Patrick Stump and Pete Wentz. These guys need each other. Bad. Fall Out Boy only succeeded because of that strange alchemy of Stumps vocals and songwriting mixed with Wentz’s twisting, punny lyrics of self-deprecation/revenge fantasies. Folie a Deux is a triumph, and of course the only way to follow up this victory is to implode. I pour a drink.

17. Sleater-Kinney – The Woods (2005)

What is it like to write a classic? Better yet, when does one realize they’ve written a classic? Do the band members nod and smile during playback of the demos or is it earlier? Maybe during the recording faze, when a member lays down a particularly ripping guitar lead. I’m curious if any of the member’s of Sleater-Kinney could answer this question for me, since THE WOODS is classic from front to back. “The Fox” starts out by burning your face off and the rest of the album turns you into kindling.

16. Interpol – Antics (2004)

Antics rules. I like to equate it to Carlos D actually pulling a gun out of that holster and shooting someone. “Not Even Jail” is a monster, a bulldozer. I didn’t think these guys had it in them. Front to back sleek menace on top of riffs and the usual Paul Banks “that could be construed as either good or bad lyrics” lyrics.

15. Friendly Fires – Friendly Fires (2008)

One of the greatest debut records of all time. Oh, that was fun to write. Friendly Fires arrived fully formed, strutting and confident with songs, son. I could list a couple here but then I would have to list them all. I will mention that about half these songs are about heartbreak and regret yet they sound like the fun distilled into music. “Lovesick” is the most enjoyment you’ll ever have dancing to a song about leaving some coldhearted shrew.

14. Spoon – Ga Ga Ga Ga Ga (2007)

Spoon are always tough to describe. They make stripped down indie rock(by definition) what never sounds generic or obvious. Certainly those words can’t be used to describe “The Ghost of You Lingers”. Or “Black Like Me”. Whenever I hear of a band sounding “Spoon-like” I know they’ll have some angular guitars but none of Britt Daniel’s screechy passion and honesty.

13. Jay-Z – The Blueprint (2001)

Jay-Z is just great you guys. On The Blueprint Hov lets you know why he is great. He’s great because he dealt drugs so you don’t have to. He’s great because he’s not looking at you dudes he’s looking past you. He’s great because you don’t know. Now get your damn hands up.

12. Local H – Here Comes The Zoo (2002)

One of the greatest rock records of all time.  Seriously, one of the greatest rock records of all time. “5th Avenue Crazy” is about getting beat up by some crazed drug addled chick who just wants your money for cocaine. “Rock and Roll Professionals” is a bitter attack on more popular rock bands that “sell out” but it doesn’t matter because it rocks faces. “Half Life” has the line, “You’re born with nothing better make it enough/Half life a kick in the teeth/the alcohol will be your only relief”. One of the greatest rock records of all time.

11. Spoon – Kill The Moonlight (2002)

Britt Daniel can do soulful. He can do screechy. He can make his guitar feedback, or he can strum it with care and concern. Britt Daniel can do anything.