Posts Tagged ‘Nine Inch Nails’

Lorin’s Favorite Music of the year 2013

December 30, 2013

2013 turned about to be the year when every major artist in the game dropped a big album and maybe half of them were any good. For every triumph like Yeezus or Hesitation Marks you’d have a disappointment like Magna Carta Holy Grail or Random Access Memories. I could write a whole thing on the let down albums this year. Nah. Too easy.

20) Stay Trippy – Juicy J

Those Rubberband Business mixtapes were my shit and Stay Trippy was a long time coming and totally worth the wait. All bangers about strippers and drugs, which is what we as human beings want from Juicy J. “All I Blow Is Loud” and “Gun Plus a Mask” are instant classics and “The Woods” is probably the best thing Justin Timberlake did all year.

19) Heartthrob – Tegan and Sara

“Love They Say” is pure beauty and sadness. So is “Closer”. Whole thing has this weird mix of happy/sad going on. I’ve never really cared for Tegan and Sara before this album and I know there was talk about Heartthrob as some kind of craven grab at popularity but these songs sound real good, and real true. Getting a budget doesn’t mean you can’t still be true! And everyone wants to be popular! Who are we to tell Tegan and Sara they can’t put food on their families?

18) Blurred Lines – Robin Thicke

If this guy could dance he would have the world on a string. Still, everything on this album is better than both those bloated 20/20 thuds. Breezy and fun, done in 40 minutes.

17) Trap Lord– A$AP Ferg

All you need to know about this album is that the chorus to “Dump Dump” is

“I fucked your bitch, nigga, I fucked your bitch

I fucked your bitch, nigga, I fucked your bitch

She suck my dick, nigga, she suck my dick

She suck my dick, nigga, she suck my dick”

16) Artpop– Lady Gaga

Lady Gaga is overstudied and not nearly as good as she thinks she is. And yet, this album is fire. So many bangers, just vicious shit. Purposely ugly in all the ways that appeal to me, yet with these huge neon hooks. The hook for “Sexxx Dreams” is like a laser to the face. “Aura” is a monster.

15) B.O.A.T.S II: #MeTime – 2 Chainz

2 Chainz goes front to back here, just casually dropping bangers and classics like it is just the most natural thing in the world.

14) Save Rock and Roll – Fall Out Boy

Fall Out Boy are one of my favorite bands. Their three album run in the mid 2000’s is some hall of fame shit. They don’t get any respect though because their audience is largely girls and old men like to write rock history. Save Rock and Roll is weird and actually doesn’t have a ton of guitars on it, but it still has great hooks, fantastic singing from Patrick Stump, and a song about masturbation. The boys are back.

13) Nothing Was The Same – Drake

2013 was my year of Drake. I know why people don’t like him and sometimes I still don’t like him but I think he has more songs I like than dislike and Nothing Was The Same is pretty good. I think it could have used a couple more bangers like “Started From The Bottom” but that wasn’t what he was feeling at the moment. But did you hear “Trophies”? Shittttt.

12) Excuse My French – French Montana

This may be the last we hear from French Montana. The album flopped and people have already moved on but this album has tracks. Hot fire all over and these beats, son. Diddy paid good money for these beats and it would be a shame for all of us to ignore them. Also, the ignorance of “Pop That”, “Marble Floors” and “Ocho Cinco” all on the same album is awe inspiring. May French continue to be worried about nothing.

11) Dynamics – Holy Ghost!

The first three songs are kinda eh but then it makes a huge jump in quality and you can forgive those first tracks and come to like them a little bit. I saw these guys live this year and they aren’t very interesting performers but the songs sounded good and while they can’t really pull off their ballads live, those tracks are the best songs on Dynamics. “I Want To Be Your Hand” is an instant classic.

10) Matangi– M.I.A.

This album should have been called Bangers. M.I.A. never fell off, really. I’ve gone back to MAYA a few times and it is still hit and miss but who doesn’t have a moment like that? We keep giving Jay-Z second chances. Matangi is easily M.I.A.’s best album, no contest. The production is vicious, she still doesn’t give a fuck, and unlike her other records it isn’t back loaded, it’s just loaded.

9) My Name Is My Name– Pusha T

I still listen to Hell Hath No Fury all the time. I bought Till The Casket Drops even though the reviews were bad. I listened to No Malice’s solo album(terrible, btw). I rocked that Play Clothes mixtape for like half of 2009. I’ve listened to the Re-Up Gang record at least 4 times. I really really like The Clipse. My Name Is My Name is largely flames, Pusha T goes hard, Kanye hooked him up with some hot beats(“No Regrets” oh shit), dude is back. I wish The Clipse were back but this is great. Best Pusha track of the year is “Millions” off of the Wrath of Kaine mixtape.

8) Hesitation Marks – Nine Inch Nails

Nine Inch Nails have never made a bad record. This is a fact. Look it up. Every album is good to great, though us hardcore Nailheads can argue over which is which. (Year Zero is my shit). Hesitation Marks isn’t a return to form, thank god, it’s just the next step. There are dancey songs and funky songs and songs that are slow like “Hurt” and it is all fine and good.

7) Black Panties– R. Kelly

What do I do with you, R. Kelly? How do I reconcile your past actions with the music you made and continue to make? It’s tough. And tougher for the victims of your crimes. Black Panties is a really good album. The track with Future is next level. “Legs Shakin'” is bananas. “Every Position”, totally nuts……Man. I dunno.

6) Long.Live.A$AP – A$AP Rocky

A$AP Rocky is a cool dude. That’s what he sells, being cool as shit. The first half of this album is like riding in a haze of cool(and weed smoke). Then he drops “Fucking Problems” and “Wild For The Night” and your heart level jumps up and you freak out and start breaking things and then you simmer down again. Then “Ghetto Symphony” comes on and you level a city.

5) Old– Danny Brown

If you ever bad mouth Danny Brown on Twitter, Danny Brown Stans will come out of the darkness and flood your mentions with anger and vitriol. “Danny Brown is the truth!”, they will scream. “Danny knows what is going down in these streets!” He does! I agree! This album is great, leave me alone.

4) Beyoncé– Beyoncé

Like the rest of you, I’m still digging into this one, but it’s highlights are plentiful. “Drunk In Love” and “Blow” were early favorites, and “XO” gets better with every listen. I was rocking “Bow Down/I’ve Been On” since January so “***Flawless” is of course my shit. Frank Ocean is still boring, though.

3) Yeezus – Kanye West

I like how nothing is going right for him in “I Am A God”, which everyone seemed to miss. Oh well, Kanye foreverandeverandeverandever.

2) For Professional Use Only – Araabmuzik

Araabmuzik got shot this year by some guy trying to steal his chain. Araab lived, dropped a sick remix album, kept on keeping on. Plus, you’re asking for trouble trying to rob the guy who made “This For The Ones Who Care”.

1) Paramore – Paramore

I started to like Paramore a lot after those two guys left the band and some astute blogger somewhere pointed out that all the songs on their last album were about how those two guys were just a bunch of assholes. That they quit because they were concerned about “keeping it real”, whatever that means in the pop/punk scene, which is the phoniest scene around. This album is a great rebuke to those guys, and really anyone who shit on this band, because the songs are sooooo good. Songs about being adults, and moving forward, and living your life after hard shit happens. I listened to this album a lot, and it was a no brainer when I had to pick my favorite of the year. “Ain’t It Fun” is a nice final “fuck you” to those guys who quit, but it could also just be about lazy people. There are levels to this shit.

Best songs of 2013
1) “This For The Ones Who Care” – Araabmuzik

2) “Fo Real” – Future featuring Drake

3) “Do What You Want” – Lady Gaga featuring R. Kelly

4) “Hold On, We’re Going Home” – Drake featuring Majid Jordan

5) “Fucking Problems” – A$AP Rocky Featuring Drake, Kendrick Lamar, & 2 Chainz

6) “Suit And Commercial” – The Hood Internet (Daft Punk/Justin Timberlake)

7) “Higher” – Just Blaze x Baauer featuring Jay Z

8) “All You’re Waiting For” – Classixx featuring Nancy Whang

9) “Going With You” – Sebastien Grainger

10) “I Told Em” – French Montana

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Favorite Albums of the 2000’s: 100 – 91

February 5, 2010

When Pitchfork first announced their intention to rank the best singles and albums of the last decade I expressed admiration towards their efforts to attempt to complete such a herculean task. When they actually posted the lists, I realized that I just had to do one of my own because I couldn’t believe how low they ranked The Black Album. It took me awhile and I almost gave up a few times, but nobody likes a quitter. Embarking on my own journey through the last ten years of songs and full lengths, memories and stories flooded back. I’m not saying every album has a story attached to it that I’m going to tell you about, but more than a few gave me the ol’ warm fuzzies. I started with a list of around 150 albums and just snipped and prodded it down to a still massive 100. 100 albums that shaped me or just made me happy. Albums I sought to share with others and others shared with me.

100.Phoenix – United (2000)

“Too Young” was my going out Jam with a capital J in the winter and spring of 2004. First discovering it via the Lost In Translation soundtrack, I was thrown by the unbridled joy and that chorus where “…everybody’s dancing'”. The rest of United is just as joyful, where even the sad songs are actually fun, Thomas Mars barely able to keep a smile off his face. For a debut United isn’t tied down to a singular sound as Phoenix take dips in faster guitar rock(“Party Time”) and whatever the heck “Funky Squaredance” is. While I agree that they’ve expanded their sound on later records, United is so much more than a rough draft. It is a declaration of fun to come.

99.  Hot Hot Heat – Make Up The Breakdown (2002)

When I worked in at my college radio station, we were deluged with literal mountains of promo CDs. This is not surprising or unique. What was surprising and unique were the rare times a randomly grabbed CD (literally) pulled from the bottom of a teetering stack of jewel cases would not only catch your ear but have you grabbing people aside to play it for them. Make Up The Breakdown was discovered just like that, a random choice from a random pile of categorized albums that would later either be tossed or lazily marked “Alternative”. Catchy is the first word that comes to mind when talking about MUTB, jam-packed with hooks, sharp riffs and angular guitars back when people liked that sort of thing. Moving at a quick clip (31.9 minutes according to iTunes) Hot Hot Heat don’t waste any time, moving breathlessly from dance anthem to dance rocker and back again. The lead singer has one of those “Is this annoying? I’m not sure yet” voices that actually could be annoying but the music is so good you never really care if it is or not. I think the later albums affirm that it is annoying, but those albums suck so there you go.

98.  Nine Inch Nails – Year Zero (2007)

I can fully attest that for about two years I would swear up and down that this album wasn’t very good. I liked a couple songs but “something feels off”. I used to blame the drum sound, but I’d always head back and realize that that wasn’t the case. The drum sound is actually pretty awesome. But I always came back, threw it on again trying to figure out why it wasn’t clicking with me. When I began making this list I didn’t initially consider it because, well, I had already officially told people I didn’t like it. But why was I listening to it so much, even more than records I actually attested to like, such as those last couple Morrissey albums? I mean, Morrissey is arguably as big if not a bigger downer than Trent Reznor. Well, when I was giving this a listen a few weeks ago, not even considering it for this list the fucker cracked me in half. Right then I understood it all and Year Zero understood me. We were one and the universe moved in sync with our movements. Then I went to bed without writing anything down and here it is at #98.

97.  John Mayer – Room For Squares (2001)

John Mayer isn’t very likable now. On Room For Squares however, Mayer is empathetic and self-deprecating; witty and wistful.  The subject matter of awkward dates, childhood nostalgia, and the pressure of going out into the world as an adult and proving yourself are all topics that in the right hands can’t be anything less than appealing. I’ve been struggling to think of how to describe the music. Spare for the right moments and never overproduced, Room For Squares tends toward a sound I’ll call attractive and familiar. Plenty of tracks have an old familiarity to them, sounding less like original works and more like old standards passed down. The most important feature of the album is that John Mayer comes across as a guy still figuring it all out, making mistakes and trying to just be a better person. Jeez, how did that turn out?

96.  Cody ChestnuTT – The Headphone Masterpiece (2002)

Cody ChestnuTT is a guy who can do anything. That appears to be the main subject of The Headphone Masterpiece. ChestnuTT jumping from style to style, genre to genre proving not only that he can do r&b/rock/soul, he can do it well. At two discs, The Headphone Masterpiece is bloated; bloated with ideas, jokes, riffs, garbage, misogyny, apologies, family, and more than few mentions to ChestnuTT’s sexual prowess. It’s also very funny, catchy and frankly a goddamn masterpiece. All of ChestnuTT’s contradictions just make him more appealing and his decision to record the whole thing on a 4-track sounds like a dare that he won.

95.  Deftones – Deftones (2003)

The culmination of their career at that point, Deftones’ self-titled album is the band at the peak of their abilities, finally achieving what previous efforts had only hinted at. The ambient tracks that Chino always forces the band to put on their albums tend to be the weak moments(see Saturday Night Wrist) but on Deftones those tracks shine. Of course, no one who listens to Deftones is there for those slow moments, they want the throat scorching fury. “When Girls Telephone Boys” might be Deftones most blazing moment on record, while “Bloody Cape” possesses their most indelible riff and shrillest finale. A compliment. Considering their tendency to be heaped into the nu-metal category, Deftones is a defiant embrace of hard rock, metal and punk influences. Definitely a good look.

94.  Spank Rock – Yoyoyoyoyo (2006)

The beats make the difference between a wack track and a banger. You could be the dopest, freshest, wittiest, most energetic MC in the game, but if your beats suck, you suck. You could also be a pretty mediocre rapper and ride out to fame on some hot tracks. Those are just facts. The rhymes on Yoyoyoyoyo are largely focused on the familiar hiphop tropes of women and fame, but they hang over such innovative musical beds. Producer XXXChange isn’t exactly a genius but he’s certainly a master of making the best of a small budget(so I’ve read of this album’s creation). XXXChange doesn’t take any shortcuts to repeat himself so every track is a new idea. Be it the funk guitar and 60’s girl group vocals evoked on “Sweet Talk” or the video game sfx on “Rick Rubin”, XXXChange is seemingly a master of all styles. The mind reels of what he could do with a Kanye budget.

93.  Love Is All – Nine Times That Same Song (2005)

I just love these bands full of energy and enthusiasm, writing songs about songs, and also songs about keeping people’s bodies in freezers. Is it bad that I’ve listened to this album a ton of times, know it’s songs extremely well but only can tell you it’s peppy, fun, and catchy?

92.  Clipse – We Got It 4 Cheap, Volume 2 (2005)

Pretty much the greatest mixtape ever. If you’ve heard better, don’t shame me, educate me. In the meantime, goddamn. The Clipse have a swagger and attitude that is the epitome of cockiness. While their sales might not echo it, Clipse are kinda the best, so this attitude makes sense. On this mixtape they rap over plenty of top shelf beats including “Daytona 500” and “Hate It Or Love It” and murder it all over the goddamn place. It’s seriously disgusting how good they are, and criminal how ignored they’ve become commercially.

91.  The Twilight Singers – Blackberry Belle (2003)

Greg Dulli is a indie rock god. He wrote Gentleman, he wrote “Uptown Again”; his legacy is written. Yet Blackberry Belle is arguably one of his finest works. A tribute to deceased friend Ted Demme, Blackberry Belle is as dark as any mid career Afghan Whigs album, but often quieter and more somber than the Whigs ever were. When Dulli suggests we “black out the windows/it’s party time” we know we’re in for some melancholy vibes. Yet tracks like “Teenage Wristband” evoke a sense of rebellion and nostalgia that is one could almost confuse with “fun”. Easily the least obvious eulogy for the creator of Yo! MTV Raps.