Posts Tagged ‘Pusha T’

Lorin’s Favorite Music of the year 2013

December 30, 2013

2013 turned about to be the year when every major artist in the game dropped a big album and maybe half of them were any good. For every triumph like Yeezus or Hesitation Marks you’d have a disappointment like Magna Carta Holy Grail or Random Access Memories. I could write a whole thing on the let down albums this year. Nah. Too easy.

20) Stay Trippy – Juicy J

Those Rubberband Business mixtapes were my shit and Stay Trippy was a long time coming and totally worth the wait. All bangers about strippers and drugs, which is what we as human beings want from Juicy J. “All I Blow Is Loud” and “Gun Plus a Mask” are instant classics and “The Woods” is probably the best thing Justin Timberlake did all year.

19) Heartthrob – Tegan and Sara

“Love They Say” is pure beauty and sadness. So is “Closer”. Whole thing has this weird mix of happy/sad going on. I’ve never really cared for Tegan and Sara before this album and I know there was talk about Heartthrob as some kind of craven grab at popularity but these songs sound real good, and real true. Getting a budget doesn’t mean you can’t still be true! And everyone wants to be popular! Who are we to tell Tegan and Sara they can’t put food on their families?

18) Blurred Lines – Robin Thicke

If this guy could dance he would have the world on a string. Still, everything on this album is better than both those bloated 20/20 thuds. Breezy and fun, done in 40 minutes.

17) Trap Lord– A$AP Ferg

All you need to know about this album is that the chorus to “Dump Dump” is

“I fucked your bitch, nigga, I fucked your bitch

I fucked your bitch, nigga, I fucked your bitch

She suck my dick, nigga, she suck my dick

She suck my dick, nigga, she suck my dick”

16) Artpop– Lady Gaga

Lady Gaga is overstudied and not nearly as good as she thinks she is. And yet, this album is fire. So many bangers, just vicious shit. Purposely ugly in all the ways that appeal to me, yet with these huge neon hooks. The hook for “Sexxx Dreams” is like a laser to the face. “Aura” is a monster.

15) B.O.A.T.S II: #MeTime – 2 Chainz

2 Chainz goes front to back here, just casually dropping bangers and classics like it is just the most natural thing in the world.

14) Save Rock and Roll – Fall Out Boy

Fall Out Boy are one of my favorite bands. Their three album run in the mid 2000’s is some hall of fame shit. They don’t get any respect though because their audience is largely girls and old men like to write rock history. Save Rock and Roll is weird and actually doesn’t have a ton of guitars on it, but it still has great hooks, fantastic singing from Patrick Stump, and a song about masturbation. The boys are back.

13) Nothing Was The Same – Drake

2013 was my year of Drake. I know why people don’t like him and sometimes I still don’t like him but I think he has more songs I like than dislike and Nothing Was The Same is pretty good. I think it could have used a couple more bangers like “Started From The Bottom” but that wasn’t what he was feeling at the moment. But did you hear “Trophies”? Shittttt.

12) Excuse My French – French Montana

This may be the last we hear from French Montana. The album flopped and people have already moved on but this album has tracks. Hot fire all over and these beats, son. Diddy paid good money for these beats and it would be a shame for all of us to ignore them. Also, the ignorance of “Pop That”, “Marble Floors” and “Ocho Cinco” all on the same album is awe inspiring. May French continue to be worried about nothing.

11) Dynamics – Holy Ghost!

The first three songs are kinda eh but then it makes a huge jump in quality and you can forgive those first tracks and come to like them a little bit. I saw these guys live this year and they aren’t very interesting performers but the songs sounded good and while they can’t really pull off their ballads live, those tracks are the best songs on Dynamics. “I Want To Be Your Hand” is an instant classic.

10) Matangi– M.I.A.

This album should have been called Bangers. M.I.A. never fell off, really. I’ve gone back to MAYA a few times and it is still hit and miss but who doesn’t have a moment like that? We keep giving Jay-Z second chances. Matangi is easily M.I.A.’s best album, no contest. The production is vicious, she still doesn’t give a fuck, and unlike her other records it isn’t back loaded, it’s just loaded.

9) My Name Is My Name– Pusha T

I still listen to Hell Hath No Fury all the time. I bought Till The Casket Drops even though the reviews were bad. I listened to No Malice’s solo album(terrible, btw). I rocked that Play Clothes mixtape for like half of 2009. I’ve listened to the Re-Up Gang record at least 4 times. I really really like The Clipse. My Name Is My Name is largely flames, Pusha T goes hard, Kanye hooked him up with some hot beats(“No Regrets” oh shit), dude is back. I wish The Clipse were back but this is great. Best Pusha track of the year is “Millions” off of the Wrath of Kaine mixtape.

8) Hesitation Marks – Nine Inch Nails

Nine Inch Nails have never made a bad record. This is a fact. Look it up. Every album is good to great, though us hardcore Nailheads can argue over which is which. (Year Zero is my shit). Hesitation Marks isn’t a return to form, thank god, it’s just the next step. There are dancey songs and funky songs and songs that are slow like “Hurt” and it is all fine and good.

7) Black Panties– R. Kelly

What do I do with you, R. Kelly? How do I reconcile your past actions with the music you made and continue to make? It’s tough. And tougher for the victims of your crimes. Black Panties is a really good album. The track with Future is next level. “Legs Shakin'” is bananas. “Every Position”, totally nuts……Man. I dunno.

6) Long.Live.A$AP – A$AP Rocky

A$AP Rocky is a cool dude. That’s what he sells, being cool as shit. The first half of this album is like riding in a haze of cool(and weed smoke). Then he drops “Fucking Problems” and “Wild For The Night” and your heart level jumps up and you freak out and start breaking things and then you simmer down again. Then “Ghetto Symphony” comes on and you level a city.

5) Old– Danny Brown

If you ever bad mouth Danny Brown on Twitter, Danny Brown Stans will come out of the darkness and flood your mentions with anger and vitriol. “Danny Brown is the truth!”, they will scream. “Danny knows what is going down in these streets!” He does! I agree! This album is great, leave me alone.

4) Beyoncé– Beyoncé

Like the rest of you, I’m still digging into this one, but it’s highlights are plentiful. “Drunk In Love” and “Blow” were early favorites, and “XO” gets better with every listen. I was rocking “Bow Down/I’ve Been On” since January so “***Flawless” is of course my shit. Frank Ocean is still boring, though.

3) Yeezus – Kanye West

I like how nothing is going right for him in “I Am A God”, which everyone seemed to miss. Oh well, Kanye foreverandeverandeverandever.

2) For Professional Use Only – Araabmuzik

Araabmuzik got shot this year by some guy trying to steal his chain. Araab lived, dropped a sick remix album, kept on keeping on. Plus, you’re asking for trouble trying to rob the guy who made “This For The Ones Who Care”.

1) Paramore – Paramore

I started to like Paramore a lot after those two guys left the band and some astute blogger somewhere pointed out that all the songs on their last album were about how those two guys were just a bunch of assholes. That they quit because they were concerned about “keeping it real”, whatever that means in the pop/punk scene, which is the phoniest scene around. This album is a great rebuke to those guys, and really anyone who shit on this band, because the songs are sooooo good. Songs about being adults, and moving forward, and living your life after hard shit happens. I listened to this album a lot, and it was a no brainer when I had to pick my favorite of the year. “Ain’t It Fun” is a nice final “fuck you” to those guys who quit, but it could also just be about lazy people. There are levels to this shit.

Best songs of 2013
1) “This For The Ones Who Care” – Araabmuzik

2) “Fo Real” – Future featuring Drake

3) “Do What You Want” – Lady Gaga featuring R. Kelly

4) “Hold On, We’re Going Home” – Drake featuring Majid Jordan

5) “Fucking Problems” – A$AP Rocky Featuring Drake, Kendrick Lamar, & 2 Chainz

6) “Suit And Commercial” – The Hood Internet (Daft Punk/Justin Timberlake)

7) “Higher” – Just Blaze x Baauer featuring Jay Z

8) “All You’re Waiting For” – Classixx featuring Nancy Whang

9) “Going With You” – Sebastien Grainger

10) “I Told Em” – French Montana

On Take Care, Fear of God II, Camp and Talk That Talk

November 16, 2011

The problem with Take Care is that Drake’s honesty is boring. Love or hate his decision to write songs about drunk dialing ex-girlfriends and this self involved “fame is hard” narrative, he fails to be interesting lyrically and musically. Take Care‘s 17 tracks of maudlin pity parties feature the kind of bland pronouncements just about anyone could convey. The act of a great artist is to make the mundane interesting, to present the human condition from an angle not always considered. The Drake on Take Care appears lucky instead of talented. Drake presents his scenarios in a unadorned and straightforward manner with little word play and a confessional style reminiscent of over hearing someone else’s conversation involving people you’ve never met. Unlike Kanye West, who is a mess of doubt and hubris and quite obviously a little crazy, Drake is pretty simple, a rich guy who fucks a lot of women. “Marvin’s Room” might be based on a real ill-advised drunk dial but is Drake any different on this track than any other where he’s telling women “they can do better”. There is a cloying sexism to Drake with his “Take care” and “Make me proud” sentiments that feel jerky and condescending. Drake’s party line would be “Had a lot of sex, made plenty of money, not bragging just saying, feels empty”, delivered in that same plain spoken style, artless and often tone deaf. Drake’s lyrics on his first album  and his mixtapes were kinda corny but that corniness was endearing (Heck, I made sure “Best I Ever Had” got played at my wedding) and to abandon those attempts at lyricism for dull statements is a strange decision. Also, what is this; “Don’t listen to those lies/I swear they’re all lies“. This is Drake 2.0 so he’s not trying to be funny.

The beats on Take Care rarely ascend above a plodding midtempo so you can’t even dance to this shit. Just Blaze shows up at one point and straight up kills it but Drake doesn’t help by literally rapping about going through a girls phone and turns what should be a swagged out jam into another pity party. Oh well, I’m just glad to see Blaze back in the game. That dude has still got it. Finally, I don’t know what to make of the choice of turning “Back That Ass Up” into a ballad, but rest assured it was a bad one.

What must it be like when an artist or creative type realizes that their glory days are behind them?  Pusha T solo stuff remains a mixed bag of decent spitting on top of whatever beats that is solidly OK, which for anyone would be fine but this is one half of The Clipse, the guys who did this and this and THIS. The beats are never out and out bad but like I said, just OK. The best tracks are the Juicy J feature “Body Work” and the Neptunes production “Raid”. “Body Work” is your standard “we kill people” track and those are usually pretty good and hey so is this. “Raid” has a great beat and inspired verses from Pusha and 50 Cent of all people but strikes out with a particularly grating Pharrell hook which, y’know, hey, they can’t all be winners. The most exciting moment on the album is when Pusha promises a new Clipse record during the outro. Don’t forget to call the Neptunes when you’re making that one, Push.

I was about four tracks into Camp when I realized that I didn’t like any of the Childish Gambino mixtapes and that Camp is just more of the same, frantic rapping with pop culture references but no strong hooks. Obviously Donald Glover wants to be taken seriously as a rapper which means no funny business but Childish Gambino just gives me a “Party All The Time” vibe, Glover playing against his strengths to deliver “serious” hip hop that no one would ever put on at a party or dance to yet is the essence of what type of music he is clearly trying to make. There is no arrogant foolishness or wild eyed frenzy because Glover is so intent on being taken seriously that there is no room to breathe. Watch the video for “Freaks and Geeks“, where Glover raps his heart out with rhyme after rhyme of references and word play but it isn’t exhilarating, only exhausting. It’s a shame that the album title refers to this instead of this.

Talk That Talk has the most good songs by Rihanna in one place at least until her inevitable Greatest Hits album. The ballads are still dull and the sex talk awkward and unconvincing but there are some bangers which I didn’t really expect. Loud did a bait and switch with “Only Girl In The World” and with Talk That Talk‘s lead single “We Found Love” I figured that would be the album’s peak, much like how “Rude Boy” was the shining moment of glory amongst Rated R‘s crappy rock songs and dubstep. Imagine my joy and surprise upon hearing “Where Have You Been”. A straight up monster, “Where Have You Been” is a future Hall of Famer which is surprising since part of the vocal steals it’s melody from a Johnny Cash classic that I wouldn’t think to nick from when crafting a dancefloor jam. The hook is pure butter and proves that Rihanna is at her best when she abandons the ice queen style that she tends to fall back on and embraces being a human being. Most importantly, the beat is fucking sick as hell. Elsewhere, Talk That Talk is about what one could hope for from a Rihanna album with an obligatory Jay-Z verse on the title track that I enjoy in spite of the fact that I find Hov unconvincing in his pose as a man who is still actively pursued by groupies. Over 40 and about to be a father I can’t believe Jay-Z would spend any time interacting with anyone he talks about on the track. The-Dream and Tricky Stewart contribute of course but for some reason their track “Birthday Cake” fades out before it even becomes anything. The dubstep track is relegated to the deluxe version so small favors there. At this pace, Rihanna will make a half way decent album by the time she’s thirty. Just keep making those club bangers, girl.